Thursday, 26 June 2025

Eoliths in Europe : Controversy, Critique, and New Evidence

Portable Rock Art

Eoliths vs. Ignorance – Dawn Stones Vindicated by New Finds

For over a century, mainstream archaeology has scoffed at the existence of eoliths – literally "dawn stones," purported crude tools from the dawn of prehistory (many are actually highly sophisticated works of art). A prime example is the Museum of Stone Tools website run by Professor Mark Moore. There, eoliths are flatly dismissed as nothing more than naturally fractured flints, with Moore insisting these objects "are now known to be examples of natural fracture"—which is actually a blatant lie. According to him (and conventional wisdom), early finds of flint chips in very old geological layers—well before any accepted human presence—must all be accidents of nature. But is that really so? Mounting evidence says no, revealing that this knee-jerk dismissal is rooted less in hard science and more in entrenched dogma and perhaps intellectual dishonesty or just blind ignorance, as he cannot prove these finds labelled as eoliths lack workmanship.

First, what are eoliths? The term comes from eos (dawn) + lithos (stone). It was coined in the 19th century to label flints found in ancient strata (some Miocene or Pliocene in age) resembling stone tools in shape and flaking. Early archaeologists like Benjamin Harrison and Abbé Louis Bourgeois described these pieces, arguing they were intentionally worked by prehistoric humans—the earliest tools. These "dawn stone" collections showed forms similar to later Palaeolithic tools (scrapers, borers, etc.), just often cruder. However, because they implied humans (or at least tool-making hominins) existed millions of years earlier than orthodox timelines allowed, most scholars refused to even consider them genuine. Famous prehistorian Gabriel de Mortillet admitted the main reason for rejecting Bourgeois’s Miocene tools was simply their unimaginable age. Over time, a dismissive consensus formed: eoliths were written off as products of natural processes—landslides, frost cracking, rolling in rivers, etc. Officially, eoliths became a "mistake" of naïve early researchers.

Mark Moore follows this tired formula precisely. On his Museum of Stone Tools site, he parrots that eoliths were "once thought" to be tools but are now known to be naturally broken stones. He even illustrates the page with a few tiny photographs—images so small and low-resolution one wonders if he doesn’t want you to inspect them too closely. Why? Because at least one image is indistinguishable from a genuine Palaeolithic flint tool assemblage, showing similar flake scars and retouched edges. The evidence of craftsmanship is clear if one looks closely. By keeping pictures tiny and discussions minimal, Moore avoids grappling with the obvious: many eoliths bear clear hallmarks of deliberate flintknapping.

What hallmarks? Bulbs of percussion (tell-tale bulge from a hard strike), striking platforms, éraillure scars, ripple lines on flake surfaces, and systematic patterns of flake removals often in sequences. These are produced when a human shapes a core deliberately. Natural forces rarely create textbook flake scars oriented for purpose. A human knapper typically removes multiple flakes in layers, whereas nature’s flakes tend to be random, often cortex-covered. Many eoliths precisely show patterned flake removals, edge retouching, and symmetry you'd expect from intentional tools—indistinguishable from later Stone Age tools, except for their geological age. Moore conveniently ignores this, implying any resemblance to a tool must be coincidental due to the assumed absence of early toolmakers. This is circular reasoning at its worst.

Not only does Moore ignore lithic evidence, he engages in guilt-by-association. He tries to smear legitimate eolith research by linking it to creationism. For example, Michael Brandt’s comprehensive paper on European eoliths appeared in Answers Research Journal, a creationist journal—but so what? Moore suggests the entire topic is fringe, not "real science." This is intellectually dishonest. Brandt’s work meticulously documents European eolith assemblages, concluding flaking patterns cannot be natural. Moore addresses none of these findings, lumping eoliths with "creationist" ideas hoping serious thinkers dismiss them outright. It’s classic poisoning-the-well: attack the label, avoid the evidence. (It’s as absurd as dismissing Mark Moore’s entire museum because a flat-earther posted a link enthusiastically endorsing it on Facebook—obviously saying nothing about the validity of actual content.)

At this point, why is Moore so adamantly denying eoliths? It’s perplexing that an archaeologist avoids investigating deeper human antiquity evidence, appearing instead to reinforce old orthodoxy. Considering his approach, he may be:

  • Woefully uninformed, dismissing eoliths without proper examination.

  • Wilfully obtuse, aware but refusing acknowledgment.

  • Out of his depth, writing about a subject he can't objectively analyse.

  • Agenda-driven, a shill for the status quo determined to hide or discredit findings validating independent researchers like Brandt or myself.

Whatever Moore’s motivation, none reflects well on an authority on stone tools. His stance is a disservice to open scientific inquiry. As an independent researcher with numerous eolithic tool and figure stone finds in the UK, I emphasize that eoliths haven't been scientifically disproved—only dismissed and labelled "geofacts" without proof. Establishment archaeologists decided eoliths can't be real, then treated that assumption as fact—sweeping inconvenient evidence under the rug. Science should follow evidence, not dictate what's allowable based on a theory.

Now, rigid mindsets face new challenges. Recent discoveries vindicate eolith proponents, notably from Romania where researchers found evidence that hominins occupied Europe far earlier than previously believed—precisely the timeframe of once-derided eoliths. At Valea lui Grăunceanu, Romania, stone-tool cut marks on animal bones dated ~1.95 million years ago provide the oldest evidence of hominin activity in Europe, pushing back human presence by roughly 200,000 years.

This evidence directly undermines Moore’s blanket scepticism. His insistence no tools existed in older layers looks increasingly untenable, even arrogant. New findings suggest Europe might have had hominin presence even earlier. The Romanian discovery reveals evidence hidden in plain sight, missed due to preconceived notions. Likewise, genuine eolith artifacts may have been misclassified or ignored. We must avoid repeating past mistakes due to outdated assumptions.

In light of these findings, Moore’s stubborn denial of dawn stones appears indefensible. Extraordinary claims require proof, but blanket-dismissal without examination is equally unscientific. The correct approach is rigorous analysis. Independent researchers applying such analysis have consistently found evidence supporting eolith authenticity.

Human prehistory is deeper than textbooks admit. The dismissal of eoliths resulted from failures of imagination and observation perpetuated by Moore’s site. The new Romanian discoveries affirm our ancestors' presence at the dawn of the Ice Ages as fact. It’s high time the archaeological community reconsider eolith collections openly. When facts challenge reigning theories, science adapts theories accordingly. The eolith debate now aligns with mounting evidence—our prehistoric past is richer and deeper than previously accepted.

Friday, 18 April 2025

Palaeolithic Art and Flint Tool Video Series


 I'm thrilled to announce my extraordinary new video series: "Revelation in Stone." Episode 1, now available, provides a captivating introduction to one of the UK's most remarkable archaeological discoveries of recent times. Situated near the world-famous Boxgrove archaeological site—known for Britain’s oldest human remains—this site has produced discoveries that promise to redefine our understanding of human prehistory and evolution.

EPISODE 2 PART 1 IS HERE >> PALAEOLITHIC FLINT TOOLS  

EPISODE 2 PART 2 IS HERE >> PALAEOLITHIC TOOLS PREHISTORIC FACES

Throughout the series, I will be showcasing extensive collections of truly stunning flint tools and never-before-seen ancient artworks. Each episode is packed with factual information, scientific analysis, and thorough explanations about eoliths, artistic tools, and numerous ground breaking insights. This work is so significant and original that it is likely others may replicate and present my findings as their own while denying or obscuring the source.

What's Featured in Episode 1?

In the first episode, we introduce viewers to some finds and the archaeological discovery. My detailed white flint tools and sculptures depicting dinosaurs, chimpanzees, elephants, bears, and even clothed human figures have been uncovered. These extraordinary finds challenge established archaeological, evolutionary, and art-historical narratives, demonstrating advanced cognitive skills and sophisticated artistic expression by Palaeolithic artisans.

The convergence of historical context and ground breaking prehistoric evidence positions this site uniquely within British archaeology. Our discoveries complement yet dramatically expand upon existing finds at nearby Boxgrove, renowned for its 500,000-year-old human remains and Acheulean flint tools.

Why is This Discovery So Important?

These discoveries suggest ancient human populations in Britain possessed far greater artistic sophistication and knowledge of animals—such as dinosaurs and gorillas—than previously recognized. Furthermore, detailed representations of clothed humans indicate an unexpectedly advanced level of cultural and symbolic expression, prompting a fundamental reconsideration of timelines and evolutionary assumptions about early humans.

A Glimpse into Upcoming Episodes

This series will span eight fascinating episodes, each approximately 6-8 minutes in length, exploring key aspects of this ground breaking discovery in detail:

  • Episode 2 delves into lithic analysis and the meticulous art of flintknapping, proving these artifacts were products of deliberate human craftsmanship. I will showcase some of the best and varied palaeolithic tools to be seen anywhere, not just axes and blades, but all kinds of ancient tools, and hundreds of them.

  • Episode 3 explores minimally modified stones ("figurative nodules") chosen for their symbolic, natural shapes, revealing subtle yet intentional artistry.

  • Episode 4 examines artifact dating techniques, revealing astonishing antiquity and potentially rewriting the history of human habitation in Britain.

  • Episode 5 uncovers the compelling animal imagery sculpted in flint, from elephants to dinosaurs, challenging paleontological narratives.

  • Episode 6 analyses human representations, particularly clothed figures, exploring their deep cultural and symbolic significance.

  • Episode 7 revisits broader archaeological and evolutionary implications, reconsidering accepted narratives of human prehistory and cultural evolution.

  • Episode 8 summarizes the series' discoveries and emphasizes their profound scientific importance, calling for collaboration with the global archaeological community.

Your Opportunity to Participate

We invite archaeologists, researchers, enthusiasts, and anyone intrigued by our shared past to view and share these discoveries. Your insights and collaboration can help further unravel the incredible story these artifacts tell.

Watch Episode 1 Now!

Watch the first instalment of "Revelation in Stone", subscribe for future episodes, and join us on this exciting journey into humanity's ancient past.

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👍 Like and share to spread awareness of these ground breaking findings.
💬 Comment to join the discussion and share your thoughts and insights.


Stay tuned—human history is about to change!